home   site updates   review digest   reviews   featured artists   discussion   links   about us  
 
Description
While this website has become known for its in-depth album and concert reviews, the digest contains concise comments on new music our audience has either recommended or might enjoy. Click on album covers or label names for links to further information. Click on the title to view the article.

Links
Digest Index
Current Digest
Instrumental Digest
 
Hit And Myth CD Cover
Image © Yep! Records 2002

Jenny Morris Image © Jenny Morris 2003
 

(22 April 2003) New Zealand-born singer Jenny Morris first came to prominence in her home country in the early 1980s as a member of a band called The Crocodiles. However, she first came to world attention as backing singer on Australian rock band INXS’ Listen Like Thieves world tour in 1985 and 1986, which took in Australasia, The USA and Europe. Though the band did not have their first major hit single in the UK until the following year, the groundwork had already been done on that tour and with Jenny in tow they stayed in Europe for months, giving fans like me many opportunities to sample her clear, powerful backing contributions.

In 1987, with INXS now major international stars, Jenny struck out on her own. Her first solo album, Body And Soul with several tracks produced by INXS’ Andrew Farriss, performed well in Australia but made less of an impact abroad, though the material was strong showcasing the clarity of Jenny’s voice on upbeat INXS style songs, in the main, though the gentler Neil Finn-penned "You I Know" was something of a departure. Two years later, Shiver, this time entirely produced by Farriss, suggested a maturing artist with much more variation, including the joyful reggae of "Self Deceiver," the gentle love-song to her unborn child "Little Little" and the up-beat woman’s anthem "She Has to be Loved." Shiver was a huge hit in Australia, and led to tours supporting Prince and Tears for Fears worldwide.

1991 saw the release of Honeychild, a much more dance-orientated album, but again with excellent material, especially the funky "Break in the Weather" with is wonderfully quirky, yet catchy chorus, and the angelic "I’ve had you" co-written with Australian legend Paul Brady. A compilation CD and video collection The Story So Far also followed.

After a four year gap, 1995's Salvation Jane, though patchy, was her most varied album up until then, with some of Jenny’s strongest vocal work. The languid "Rhythm and Flow," with its Aboriginal influences, contrasted wonderfully with the rasping "What do I do now" and the pure pop of "In too deep," later a hit for Belinda Carlisle, while the title track recalled the chug-along hits of INXS once more. For the next few years Jenny dropped out of the limelight, combining occasional gigs with work for environmental causes and her life as a mother.

Fast forward to the latest album Hit & Myth (Yep! Records (Australia), YEP005 9330 9700 00405, 2002). Despite the long layoff, it sounds like the work of a relaxed and confident woman. The production of Nick Wales has given the album a polished, contemporary feel, with Jenny’s vocals placed high in the mix, allowing the warmth of her voice to shine through. This is especially evident on "Downtime," a relaxed, simple song about relaxation! "Home" is a lush ballad with a glorious chorus, while "Killer Man" is Jenny’s version of a James Bond theme song, with it’s huge slide guitar and big chorus.

"I climb high" is a perky pop song written as a reaction to JFK Junior's death, with an infectious game-machine like synth riff. "Into the Water" is a deliciously rich and laid back song, while "The Blacksmith" introduces very different instrumentation - Winsome Evans’ harp giving this traditional song a wistful feel, with Jenny passionately expressing the folk lyric.

The pair of songs "It Happened Again" and "Dressing Gown" are simple, sweet, light-hearted pieces about being in love, while "Guiding Star" is a beautiful, gentle Neil Finn song. "The Sculptor" is the most ambitious piece on the album, musically, its throbbing strings playing eastern rhythms, while Jenny sings melodic variations on "The Blacksmith". Played loud, this is a mesmerising piece. "Wailing Wall" is a simple, acoustic album closer.

Throughout this album, Jenny’s vocal performances are warm, rich and delightful, and the songs, though undemanding are performed with passion and invention by a team of skilled backing musicians. The album is certainly a progression from her previous work, and it’s good to see this talented artist recording again. We look forward to the next phase of her career--Stephen Lambe

Read further reviews, listen to soundbites and order Hit & Myth from amazon.com here. Many of Jenny's prior albums are also available there.

 
» return to top «
last updated on: