
Image © Plastinka Records 2002
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(26 Nov 2002) During the latest years vocal ensemble Rajaton has
been widely known both in their origin country Finland as well as in
several other countries throughout the world. And now the group has
been able to gain even more success, thanks to their release
Sanat (Plastinka Records (Finland) PLACD 005, 2002). The
new album entered the national Finnish Classical chart at no. 3,
it also entered a bit later to the national Top 40 chart at
no. 22! Not bad at all, since nowadays it is very difficult for a
'classical' album to compete with international and national pop and rock
music entries. The other thing that may have influenced to the recent rise
of Finnish a cappella music is that Rajaton has been lately given the
chance to arrange more radio, TV and live appearances within Finnish
media. This has now proved to be an efficient way to boost both
the record sales as well as the continuing interest, including both
Rajaton's music and a cappella music in general.
Through these years Rajaton has successfully been creating their own,
personal aspect towards a cappella music, and with their previous two albums
(as well as several concerts in Finland and abroad) they have been
continuing to be "boundless" as the group's name indicates. The unique and
personal Rajaton sound as well as the idea of embedding various styles to
their music plays therefore still a very important role in their music, and
this is certainly one way to their success. With their latest release
Sanat (literally translated as Words) Rajaton again adds something new
and interesting to their repertoire. This time the new album contains twelve
pieces of "modern Christian music," according to the group's own definition.
To have such a wide variety of styles in use is not always very common among
choirs nor vocal ensembles.
The theme on the album being "Christian music," the group chose to make the
recording work "live." However, this does not mean that the pieces are taken
from a live concert, but the pieces were recorded in an environment that can
provide best mood for the album. Instead of going to a studio, Rajaton
recorded all pieces "live" at Siuntio Church in Finland, which really gives
the music more space to breathe.
Many of us Finns, and also some of the foreigners interested in Finnish
literature can notice some familiar names from the lyric providers' list,
for example Mr. Mika Waltari ("Aurinkolaulu" / Sun Song) and a poet Mr Aale
Tynni ("Stabat Mater" and "Vain taivasta kukkaset katsovat" / The flowers only
look at the heavens), while those who have been following Rajaton's career
can notice some already familiar composer names as well. For example, a
young female composer Mia Makaroff who wrote the music to "Butterfly" (the
album "Boundless" 2001) has now provided a rejoicing song "Kaikki maat, te
riemuitkaatte" ("Praise the Lord, each tribe and nation"), while another
female composer, Anna-Mari "Adiemus" Kähärä, has continued to provide music
for Rajaton. This time two songs ("Aurinkolaulu"/ "Sun Song" and "Weary In
Well-Doing") are written by her.
In addition to these already familiar
composers, also two Rajaton's male members have participated to the
composing process (Mr. Jussi Chydenius composed "Vain taivasta..." and
"Nearer, my God, to thee" and Mr. Hannu Lepola provided the composition for
"Pia Desideria"), which shows how versatile a vocal ensemble can really be.
One more composer deserves a special mention here, namely Mr. Jaakko
Mäntyjärvi whose compositions have been widely used by a variety of
choirs/vocal ensembles throughout the world. Mäntyjärvi has provided two
songs to this record, a stunning "Stabat Mater" and a wonderful "Tórramat do
nóebaengil". The latter has been one of Rajaton's basic material already
since 2000, when the group performed the piece together with Anúna during
their concert in a choral festival in Cork (Ireland). The text of the piece
is indeed sung in Irish!
Some listeners may also find very familiar Christian songs which have now
been re-arranged for this record; pieces such as "Were you there?" and
especially the new arrangement of "Iltavirsi" / "Evening Hymn" (which is one
of the most loved Christian song in Finland) are just gorgeous. The song
entitled "Nearer, my God, to thee" can also evoke some "dejavu" feelings in
some people, but the Rajaton version here is not the same that is well-known
as the "Titanic Hymn". Instead, this is a totally new arrangement, but it is
excellent!
Although the media has been describing Rajaton's latest album as an album of
'modern Christian music', it is neither too modern nor repulsive. The vocal
structure is mainly remained "traditionally harmonic", the solo parts are
very versatile (alternating between each voice i.e. solos are sung by both
male and female singers), and the melodies are catchy enough to be
remembered easily and you can hum them along even though you could not
pronounce the lyrics. The tempo is also alternating sensibly from one piece
to another. This does not mean that there is no wholeness at all; rather the
opposite. All of the songs are part of a wonderful and versatile tray full of
new musical experiences.
The album Sanat provides, indeed, music for everyone's taste, as well
as wonderful new music for all the choirs and vocal ensembles to perform in the
future (if only Rajaton decides to publish their songs in sheet music format
which I, at least, hope very much). If one feels mellow, then e.g. "Stabat
Mater" would be a right choice (if thinking of choirs/ensembles, this would
be ideal for the Easter), while e.g. "Kaikki maat, te riemuitkaatte" /
"Praise the Lord, each tribe and nation" would be a bit more "happy" song.
In this phase as there are not any sheet music available yet, one can,
however, read the lyrics (and their translations between English/Irish and
Finnish) from the album cover booklet, and, by doing that, get a bit closer
to the music itself while listening. The lyrics are also ideal for
sing-along.
In my opinion the Christian music has always had a
permanent position within various musical genres throughout the world, and
because religious songs have always had an important role as part of the
repertoire of many choirs, ensembles and orchestras, this album by Rajaton
can be concerned as a wonderful source when searching new material for
performances. And, although this album is mainly a Christian one, I think
that it can appeal to other people as well, regardless of listeners'
religions or nationalities. So, just open your mind for the most recent a
cappella experience, it may give you more than you could expect! The album
"Sanat" may not be available outside Finland as yet, but I hope that the
group would be able to release this album abroad like they have done with
their two previous albums (Nova & Boundless)! And, while waiting to the
possible release of Sanat, why not try to experience a Rajaton
concert? The group has recently been performing live in many corners of the
globe, such as Europe and the USA, so check out their current concert calendar.
With Sanat, Rajaton has once again been able to prove their name to have
a true meaning; they have proved that
music can really be a boundless experience!--Suvi Kaikkonen
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